Despite being set in the low-rent world of struggling actors, more out of work than in, the magic of film (yes, I uttered that dread cliche, godammit) renders the sets within this film with a warm and inviting desirability; from the warm glow of Uncle Monty's home to the shabby chic of the holiday cottage (arggh, can't believe I used the SC term either, but for want of a better phrase it will have to do for now) these sets make you want to just to be part of their world rather than just spectators. Let's start with...
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OOps...Ok, I admit, this was just an excuse to sneak in a pic of the devine Mr Mcgann's cheek bones - a feature in themselves |
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"As a youth I used to weep in butcher's shops." |
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Uncle Monty's as we know it from the movie |
Here's the real home as it looks in real life.
And here's how it looks from the outside.
Pretty darn desirable, inside and out. The real home is 35, Glebe Place, Chelsea, London. Designed by Philip Speakman Webb for the Pre-Raphaelite artist George Boyce, it was built in1868-71. Think I like Withnail's cosy take on the place best.
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Credit here should be due to the magnificent Monty, brilliantly played by Richard Griffiths. His finest hour. |
Moving on now to the bleak yet wonderful Sleddale Hall....
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I'm pretty sure I saw this is Homes & Gardens last month. The Featherstone-Hawkneys welcome you to their beautiful country abode. |
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Little did the Withnail team know that their shabby chic kitchen would spark a huge interiors trend. |
But what mention of Withnail would be complete without a mention of:
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The man himself, Withnail - the terrific Richard E. Grant. Just look at that expression! |
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Those curls! Oh, why did you shear those beautiful Pre-Raphaelite curls?! Whhhhyyyyyy? |
All credit due to to the excellent cast and crew of Withnail and I:
Directed By:
Bruce Robinson
Bruce Robinson
Written By:
Bruce Robinson
Bruce Robinson
Starring:
Michael Elphick
Ralph Brown
Richard Griffiths
Paul McGann
Richard E. Grant
Michael Elphick
Ralph Brown
Richard Griffiths
Paul McGann
Richard E. Grant
(an excellent) Soundtrack By:
Rick Wentworth
David Dundas
Rick Wentworth
David Dundas
And, especially as we are focussing on the film design here, in particular the look of the film and sets,
Director of Photography:
Peter Hannan
Peter Hannan
Costume Designer:
Andrea Galer
Andrea Galer
Production Designer:
Michael Pickwoad
Michael Pickwoad
And a special mention here to the much missed
Executive Producer:
George Harrison
George Harrison
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